For BOMB Magazine, Pik-Shuen Fung discusses her debut novel, Ghost Forest, with Kyle Lucia Wu and explains how seemingly disparate emotions play a big role in her fiction. “I think juxtaposition affects every aspect of my creative process,” Fung says. “It wasn’t a conscious decision to include these disparate emotions, but I think that I’m always interested in the complexity of an experience, and the multiplicity of an experience. I don’t feel like I ever just feel one emotion at one time.”
Colson Whitehead says “Wow, Fiction Works!“The LA Times has a clip from the movie version of David Foster Wallace’s Brief Interviews With Hideous Men, directed by The Office star John Krasinski. (via)Carolyn writes about the real-life connection between Walker Percy and Bruce Springsteen.The Village Voice shows off the final results of its highly scientific system of determining New Yorker cartoonists’ batting averages.Cambridge Information Group, which owns Bowker, AquaBrowser, ProQuest, Serials Solutions and RefWorks makes an investment in LibraryThing.Vote in The 2009 Tournament of Books Zombie Poll.A book that has turned out to be so wrong it has become a collectors item (check out the prices): The Bush Boom: How a Misunderestimated President Fixed a Broken Economy
“‘I think she is better than J. L. Borges—who is good, but not all that good!” said poet Elizabeth Bishop of Brazilian writer Clarice Lispector. Bishop was one of Lispector’s first English translators, but also one of her fiercest critics. Alexandra Pechman writes for the Poetry Foundation about their literary rivalry and grudging respect. Pair with Magdalena Edwards’s Millions review of Lispector’s The Complete Stories.
Recommended Reading: For the writers who make coffee for their day jobs, Lucy Schiller discusses the burden of being happy all the time as a San Francisco barista in “Service with a Smile.” The essay is the first in a weekly series by The Riveter, a magazine spotlighting original longform journalism by women. Pair with Jason Diamond’s essay on being mistaken for a professional barista.
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.