At the Creative Independent, Leanne Shapton looks back on her work, which ranges from novels to illustrated books, and reflects on the freedom that allows her to create. “I just really think a lot of my work slips between the cracks,” Shapton says. “I get a little pay here and there, but I feel lucky that it doesn’t have to stand up against something else, you know? I risk obscurity, I risk being completely ignored, but it gives me some freedom to not have scrutiny.”
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.
Electric Literature has a fantastic interview with “viral poet” Patricia Lockwood, author of “Rape Joke,” new book Motherland Fatherland Homelandsexuals, and this prophecy: “We’re going to have something in the future that is so much more revealing than tit pics, and we don’t even know what it is yet.” Pair with: today’s new Millions piece on publishers’ struggle to turn the love of poetry into poetry sales.