At the Creative Independent, Lauren Oyler discusses how writing literary criticism helped her define the intentional, dynamic style she wanted in her own fiction. “I think writing criticism helped me be very intentional with everything that I was putting in,” Oyler says. “Everything I put in is there for a reason, even if the reason is just ‘this is funny.’ I’m not making sure every sentence is a perfect diamond because I don’t think that that’s possible. I wanted the book to feel alive and energetic, like something that sometimes has made rather than produced in a factory.”
Shifting from Criticism to Fiction with Lauren Oyler
Puffed Up
Don’t blame Amazon or Goodreads for authors writing rave reviews of their own work. Writers have been self-promoting since the 1700s, when it was called “puffery.” As Nicholas Mason writes for Symposium Magazine, “Nearly every British writer of the late eighteenth and early nineteenth centuries either participated in or benefitted from ginned-up book reviews.” The list of puffed up authors includes Mary Wollstonecraft, Walter Scott, and Mary Shelley.
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How to Write about Art
Possibly inspired by YiR alum Elizabeth McCracken, who tweeted out tips for applying to MFA programs last week, Zak Smith (the man who painted every single page of Gravity’s Rainbow) tweeted a series of tips for aspiring art critics. Among other advice, he dictates to his tweeps: “If Andy Warhol could have made it, do not write about it.”
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Also, Empathy
Recommended Reading: In The Atlantic, Alaa Al Aswany shows how literature can inspire empathy by analyzing one word, “also,” in Dostoyevsky’s The House of the Dead. Al Aswany also has a new book out this week, featured in our latest New Release Day.
Virginia in Vogue
Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
Gary Shteyngart’s Book Trailer
This “book trailer” released by Gary Shteyngart for his upcoming book Super Sad True Love Story has been the cause of much recent hilarity. If you have yet to see it, look for appearances by Jeffrey Eugenides, Jay McInerney and actor James Franco.
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The Paris Review’s Roundtable
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex … in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
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Earth’s Song
Recommended Reading: Joseph Fasano’s “Coda,” which is The Missouri Review’s poem of the week. “Now he is listening for beginning./Now he is lying/among that sinew,/asking, as a boy would, where his song goes.”
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