At ZORA, Arielle Gray reflects on the lasting legacy of Toni Morrison‘s role as an editor and how she ushered in a generation of writers during her 19-year career at Random House. “When we think of an editor, we think of notes in the margins, strikethroughs, and (lots of) corrections,” Gray writes. “But Morrison’s role went beyond annotating and adjusting manuscripts. She was a caretaker of a blossoming universe of Black literature, stewarding a cadre of writers and thinkers who would change the world. Morrison considered everything, from book jacket designs to which cover colors would catch the eye in bookstore windows. Her hands played a part in everything, including the advertising of the books she edited to ensure the works reached the eyes of literary critics and academics.”
Does being a writer make you a bad father? Matthew Norman ponders his fear at Salon. “As a fiction writer, I’m perpetually in some state of preoccupation. At any given moment, I’m suffering over people who don’t exist—who will never exist.” Maybe he should try Polly Rosenwaike’s tactic and read fiction about the opposite parent.
Out this week: Thomas Murphy by Roger Rosenblatt; The Deep Sea Diver’s Syndrome by Serge Brussolo; Weathering by Lucy Wood; Remains by Jesús Castillo; and What Belongs to You by Garth Greenwell (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
Administrators at Cushing Academy in Massachusetts “have decided to discard all their books and have given away half of what stocked their sprawling stacks – the classics, novels, poetry, biographies, tomes on every subject from the humanities to the sciences. The future, they believe, is digital.” (Thanks to Millions reader Laurie who asks, “So what happens when the power goes out?”)