For the Los Angeles Times, Charles Yu reflects on the rise in anti-Asian harassment and violence, and how storytelling can resist the dehumanization that stems from erasure. “Dehumanization cuts across race, sex, gender, religion,” Yu writes. “It has long affected Black and brown and Indigenous Americans, LGBTQ and other marginalized communities. As Asians in America, we should not be satisfied with being part of someone else’s story, some grand narrative handed down to us. I hope we can strive to tell our own stories, and to use whatever platform or ability we have to also amplify the stories of other marginalized people who seek the same thing.”
“As adults, we should hold each other’s work to high standards, and our own work to the highest of all. As writers, we shouldn’t settle for a single pale line. But before the poem is written, I say, we should lie to ourselves, the way we lied to that winded child. Before composition, we have to be gods.” Alex Chertok writes about literary pep talks for the Ploughshares blog.
Surprising news emerged today about This American Life‘s Mike Daisey episode on Apple’s Foxconn subcontractors (previously mentioned on The Millions here, and later here). Apparently portions of Daisey’s visit to Chinese Foxconn factories were fabricated, and TAL‘s producers failed to ensure factual accuracy because he misled their efforts. As a result, the show has retracted the broadcast (PDF), Daisey has issued a statement of defense, and the next TAL episode will cover the entire fiasco.
This week in book-related infographics, round 2: Lapham’s Quarterly takes a look at the day jobs of famous authors, among them T.S. Eliot, who was responsible for processing reports on German debt, and Charlotte Bronte, who had laundry fees deducted from her pay. Pair with our own Emily St. John Mandel‘s essay on “Working the Double Shift” and “all the strangely varied occupations that a person accumulates when the primary objective is not to establish a career, per se, but just to pay the rent while they’re working on a novel.”