At Vulture, Kathryn VanArendonk reflects on the life and work of Beverly Cleary, who portrayed children with all their complexities, tantrums, and anger included. “Cleary’s true genius was for the emotional realism she gradually developed alongside that external grounding,” VanArendonk writes. “Her characters are not just kids who play like actual kids; they are people who have problems and desires that readers will recognize. Cleary’s honesty about anger, disappointment, and jealousy, her refusal to excuse those emotions in her characters or try to fix them quickly, her willingness to tell a story about a kid in a bad mood and let everybody see exactly how bad it really is — this is what feels most revolutionary about Cleary’s work. She saw the bad moods and she saw the scarily mundane things that cause the bad moods.”
The Big Friendly Giant is coming to the big screen. Steven Spielberg will direct a live adaptation of Roald Dahl’s classic book The BFG about a little girl and a friendly giant trying to stop his friends from eating children. If you had any doubt that Spielberg could bring sympathy to a mythical creature, he’ll be pairing up with E.T. screenwriter Melissa Mathison again.
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)