At BOMB Magazine, Melissa Broder discusses her latest book, Milk Fed, which was born from one of her many obsessions. “We write our obsessions,” Broder says. “Some people have trouble writing about sex. There are workshops on how to write sex. It’s an area that’s not everyone’s strength. But for me, I have trouble not writing sex. When I write sex, I have to turn myself on, first and foremost. The first drafts are always for me. Then through editing, those scenes become for the audience.”
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.
Now that the Library of Congress is shut down, it’s as good a time as any to remember why we have it in the first place. At Brain Pickings, Maria Popova looks through a collection of vintage catalog cards, two of which include early entries for A Room of One’s Own and Ulysses.
If you’re not already a fan of Will Self, his new book, Shark, may not be the best place to start. As Walker Rutter-Bowman points out, the book dispatches with many of the conventions of modern writing, including line breaks, paragraphs and dialogue tags. But it’s still an effort worthy of its author, he writes: “Here is a hunk of modernism that poignantly, beautifully, and, it seems, genuinely renders mental states of sanity and insanity while smudging the gradations in between.”