At BOMB Magazine, Melissa Broder discusses her latest book, Milk Fed, which was born from one of her many obsessions. “We write our obsessions,” Broder says. “Some people have trouble writing about sex. There are workshops on how to write sex. It’s an area that’s not everyone’s strength. But for me, I have trouble not writing sex. When I write sex, I have to turn myself on, first and foremost. The first drafts are always for me. Then through editing, those scenes become for the audience.”
Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)
“I first met Dean not long after Tryscha and I hooked up. I had just gotten over a wicked fucking hangover that I won’t bother to talk about, except that it had something to do with a six-foot-five douchebag and a beer bong… Before that I’d often dreamed of going West to see hot LA actress chicks and try In N’ Out burgers, always vaguely planning and never taking off.” – From On the Bro’d, where every sentence of Jack Kerouac’s On the Road is retold for Bros. (via The Rumpus)
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. “Auggie Wren’s Christmas Story” was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here’s the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.
“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.