At the Los Angeles Times, Charles Yu discusses the novelistic techniques he employs in his television writing and, conversely, how his TV projects influence his fiction. “I find myself trying to import skills and tools from scripts to novels and back again,” Yu says. “From TV I’ve learned about structure and outlining and how to thread multiple storylines through a longer work. Going in the other direction, I try to find ways to incorporate my voice, my tone and a sense of being experimental from my books into my TV projects.”
More than ever, we need literature that gives Westerners a compelling entrée into—a way of better understanding—the lives of war-and-terrorism fraught regions. Over at Bloom, T.L. Khleif, recent recipient of a Rona Jaffe award, writes about Jamil Ahmad’s The Wandering Falcon, a collection that immerses readers in the tribal areas of Pakistan prior to the rise of the Taliban. Among other notable honors, Ahmad joins the pantheon of late-blooming male authors who would not have ever published were it not for the stubborn encouragement of their wives.
Earlier this month, Jack Daniel’s wrote Patrick Wensink a cease-and-desist order because the cover of Wensink’s latest novel, Broken Piano For President, bears a striking resemblance to the whisky’s logo. Surprisingly, instead of some whisky-soaked tirade, the letter is really, really nice.
“My ear for the diction and rhythms of poetry was trained by — in chronological order — Dr. Seuss, Dylan Thomas, Walt Whitman, the guitar solos of Eric Clapton and Jimi Hendrix, and T.S. Eliot.” Author Denis Johnson has died at age 67, reports The Washington Post. Our own Sonya Chung recommended Johnson’s celebrated short story collection Jesus’ Son to a friend some years back, saying “I know it will knock him out. It does (of course).”
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.