At the New Yorker, Jenny Offill writes about the multitudes found within her favorite book, Virginia Woolf‘s Mrs. Dalloway. “In 1916, Virginia Woolf wrote about a peculiarity that runs through all real works of art,” Offill writes. “The books of certain writers (she was speaking of Charlotte Brontë at the time) seem to shape-shift with each reading. […] For me, Mrs. Dalloway is such a book, one to which I have mapped the twists and turns of my own autobiography over the years. Each time, I have found shocks of recognition on the page, but they are always new ones, never the ones I was remembering. Instead, some forgotten facet of the story comes to light, and the feeling is always that of having blurred past something that was right in front of me.”
With the NCAA’s March Madness tournament winding down, and with The Morning News’s Tournament of Books drawn to a close, you can still indulge your bracketological yearnings by participating in Powell’s Books’s Poetry Madness or by checking out NPR’s Ides of March Madness.
There are plenty of reading apps out there, but a company called Rooster has released another, this one designed to “allow users to consume bite-sized pieces of highly curated fiction” whenever they have a few spare moments. In an interview with BookBusiness, Yael Goldstein Love, the editorial director of the project, described Rooster as aiming “to bring immersive reading, particularly fiction reading, back into busy peoples’ lives.” It’s difficult to know how to feel about this. Of course we think busy people should read good fiction, but is this just a precursor to the inevitable change of literature in the face of growing technology and shortened attention spans?