At the Guardian, George Saunders discusses his newest book, A Swim in a Pond in the Rain, with Killian Fox. “I think the main thing that it [fiction] teaches us about is the process of projection that we’re constantly doing,” Saunders says. “I’m a Buddhist, and we believe you really do make the world with your mind. So a story is like a laboratory to help you identify your own habits and projections. Also, it’s about being in connection with that other human being who wrote it. Working on this book made me realise that when you’re reading a story and analysing it, you’re really reassuring yourself that connection is possible, and that even though this person looks like my enemy, there is – maybe, not always – a way to temper that a bit.”
Recommended Viewing: 1958 footage of the unveiling of Moscow’s six-meter high monument to Vladimir Mayakovsky. And while you’re at it, read his poem, “An Extraordinary Adventure Which Befell Vladimir Mayakovksy In A Summer Cottage,” which features one of the best closing lines in literature.
“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.