At The New York Times, author Yoko Ogawa reflects on the literature published following the atomic bombings in Japan during World War II, including Masuji Ibuse’s Black Rain, Kenzaburo Oe’s Hiroshima Notes, and Tamiki Hara’s Summer Flowers. “We appeal to the power of literature, a refuge we turn to when forced to confront contradictions that lie beyond reason or theory,” she writes. “Through the language of literature, we can finally come to empathize with the suffering of nameless and unknown others. Or, at very least, we can force ourselves to stare without flinching at the stupidity of those who have committed unforgivable errors and ask ourselves whether the shadow of this same folly lurks within us as well.”
Last week, I pointed to former Millions-er Emily M. Keeler’s review of Wolf in White Van, the new novel by John Darnielle of The Mountain Goats. Now, at Slate, Carl Wilson offers his own praise of the book, which he describes as “not the kind of rallying cry or dark comfort that Mountain Goats fans are used to, but a complex meditation.”
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.