Brit Bennett discusses her latest book, The Vanishing Half, with Simran Hans at the Guardian. The novel, which was an instant bestseller and quickly optioned by HBO, follows twin sisters who decide to live on opposite sides of the color line, one as a white woman and one as a Black woman. “I think there’s a larger social context into which the book entered the world,” Bennett says. “It explores racial identity at a time when people are really eager to read and engage with conversations about that, which is true all around the world as you see with these protests in all these countries.”
“You want to know who I am? If I wanted to have anything written on my tombstone, I would have, ‘Ask my children or ask my students.’ I actually never thought of it quite that way. That wouldn’t be a bad epitaph.” An excerpt from Studs Terkel‘s oral history of death, Will The Circle Be Unbroken?: Reflections on Death, Rebirth, and Hunger for a Faith, is now available online.
It’s no secret that I’m a big fan of the “Ted Wilson Reviews the World” series over at Electric Literature. This week, he takes on everyone’s (least?) favorite confection — sprinkles. Unsurprisingly, sprinkles score a bit higher than Anxiety did a couple weeks ago: “Sprinkles can take an ordinary cupcake and turn it into a cupcake that looks like a rainbow shattered and fell all over it, and then the leprechaun at the end of that rainbow hid inside the cupcake and the only way to get him is to eat it.”
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.