In her new book, Such a Fun Age, Kiley Reid used her own experience as a babysitter to explore the transactional relationship that exists when caring for someone’s child. Reid spoke to Concepción de León at The New York Times about the clashes of race and class that drive the action in her novel. “I definitely started from wanting to explore the awkwardness of transactional relationships,” Reid says, “but also bigger themes of ownership, from the small petty ones like ‘Oh, well, she’s our sitter’ or ‘I knew him, so he’s mine,’ to the awkward history of black women raising white children in this country. That just comes flooding back, no matter whether you like it or not, in certain interactions.”
“Many black parents tell black children to strive; to seize opportunities that will enable upward mobility. However, they also give their children a poison capable of eroding black children’s innocence. They tell them to be twice as good; that there is no room for failure or mistakes.” Nicole Dennis-Benn, author of Here Comes the Sun, writes about how black children are denied the privilege of innocence.
Interested in seeing unsettling characters — preferably with moustaches — looking for meaning in wacky postmodernist settings? Well, o ye of of bizarre inclinations, you’re in luck: Thomas Pynchon is rumored to be working with Paul Thomas Anderson. (He’s also coming out with a new book.)
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
The second issue of the new journal Music & Literature is a feast for Krasznahorkai enthusiasts and neophytes alike, with some 70 pages of previously untranslated fiction, interviews, and essays, along with critical context on the “Hungarian Master of the Apocalypse.” Alas, only George Szirtes‘ essay and an interview with translator Ottilie Mulzet are available digitally. But the complete analog package is highly recommended.
Husband and wife writing duo Matthew Seal and Julie Bruton-Seal will launch their new book, Make Your Own Aphrodisiacs, just in time for Valentine’s Day. The couple, who live in Britain, (and who are by no means spring chickens), are encouraging people to look at natural ways of boosting their libido and to remove some of the myths and taboos surrounding aphrodisiacs.