In her new book, Such a Fun Age, Kiley Reid used her own experience as a babysitter to explore the transactional relationship that exists when caring for someone’s child. Reid spoke to Concepción de León at The New York Times about the clashes of race and class that drive the action in her novel. “I definitely started from wanting to explore the awkwardness of transactional relationships,” Reid says, “but also bigger themes of ownership, from the small petty ones like ‘Oh, well, she’s our sitter’ or ‘I knew him, so he’s mine,’ to the awkward history of black women raising white children in this country. That just comes flooding back, no matter whether you like it or not, in certain interactions.”
Cheryl Strayed’s Wild is probably the best-known recent example of a memoir that centers on a journey through a harsh landscape. There’s another one that deserves your attention, too — Kathleen Winter’s Boundless, which tells the tale of the writer’s voyage through the icebound Northwest Passage. At The Guardian, a review of the memoir.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren’t immune. At The New Yorker, our own Mark O’Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter’s first tweets.
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
“The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own.” For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.
An English student at the University of Texas has unearthed previously unpublished writing from Jupiter Hammon, the first published African-American poet. Some of Hammon’s work – which dates back to 1760 – can be found online courtesy of The Poetry Foundation: “A Poem for Children with Thoughts on Death” and “An Address to Miss Phillis Wheatley.”