Newly announced National Book Award winner Sarah M. Broom recently spoke to the new class of Whiting Creative Nonfiction Grant winners about the importance of sitting with unfinished work, and an excerpt from her talk can be found in the Paris Review. “The unfinished work is no less real, or necessary, or powerful than the book,” Broom says. “How we need it, this work, these long, beautiful digressions, these surprises. May we continue to gift writers with the time for wildness. May they ramble, digress, go beyond the edges of all the known and touted maps, may they hew close to the question, to unearth the questions beyond.”
In this week’s New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
“That’s why I’m organizing this fundraiser for Planned Parenthood, because for me the right to say what happens to my body is the right to make art.” Year-in-Reading alum Claire Vaye Watkins has launched “Dabbler’s Ball,” an art auction featuring work by some other boldtype names you might know (Ramona Ausubel, Lauren Groff, Tom McGuane, Emma Straub). Bidding runs until September 5th and 100% of the proceeds will go toward the venerable PP. See also: our reviews of Vaye Watkins’s novel Gold Fame Citrus and Battleborn, her first story collection.
Who’s the official Zombie Apocalypse Preparedness Officer at your place of work? You mean you don’t have one? Well, get on that promptly. The Center for Disease Control advises that “If you are generally well equipped to deal with a zombie apocalypse you will be prepared for a hurricane, pandemic, earthquake, or terrorist attack,” so you might as well kill five birds with one stone.
“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.