For the New York Review of Books, Maya Millet examines the buried history of the heroines of America’s Black Press. For many people, Ida B. Wells remains the most well-known black woman journalist, but Millet encouraged readers to dig deeper: “[Wells] was part of a much larger network of black women journalists who dared to wield their pens in the names of truth and justice. At a time when all women were discouraged from engaging in ‘unladylike’ activities like politics, the women of the black press were boldly writing about racial justice, gender equality, and political reform.”
“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
“Rather than showing one isolated capsule, the new hall would encompass nature and the human world…. The central theme would not be a certain animal, or even the landscape portrayed. Not one story but the fact that the stories are there. Albert E. Parr, strongly influenced by the burgeoning field of ecology, believed that the interconnectedness between disciplines was the story of the world.” Jaime Green writes for Longreads about the narratives behind the exhibits at the American Museum of Natural History. Also check out our own Bill Morris’s piece on the new Whitney Museum.