After nearly a decade, Elizabeth Strout is revisiting her character Olive Kitteridge in a new book, Olive, Again. Its predecessor, Olive Kitteridge, won the 2009 Pulitzer Prize and gained some rather fervent fans. Strout discussed the character’s surprising popularity with Emma Brockes at the Guardian. “Ever since I was a child, I always wanted to know what it felt like to be another person,” Strout says. “That’s the engine that has propelled me. What does it feel like to be that person, sitting on the subway – I can see her trousers are a little snug so I know what that would feel like. I would spend so much time trying to figure out what it feels like to be another person.”
“The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change.”
Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.
“I guess the book could be read also as poetry, but I just didn’t want to define this book, I didn’t want to put it under any label.” The Rumpus interviews Chilean author Alejandro Zambra about his newest book, Multiple Choice. And if you want more Zambra – and believe us, you do – we interviewed him too back in 2011.
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.