After nearly a decade, Elizabeth Strout is revisiting her character Olive Kitteridge in a new book, Olive, Again. Its predecessor, Olive Kitteridge, won the 2009 Pulitzer Prize and gained some rather fervent fans. Strout discussed the character’s surprising popularity with Emma Brockes at the Guardian. “Ever since I was a child, I always wanted to know what it felt like to be another person,” Strout says. “That’s the engine that has propelled me. What does it feel like to be that person, sitting on the subway – I can see her trousers are a little snug so I know what that would feel like. I would spend so much time trying to figure out what it feels like to be another person.”
“Women writers who kill themselves—are somehow perpetually on display, or even on trial. They must answer for their art and their final act against the world and their husbands and children, born and unborn,” Kevin Kanarek said in a Rumpus interview about his mother, Pamela Moore. Her 1956 novel, Chocolates For Breakfast, has just been reissued. Pair with: Alison Balaskovits’ post on VICE‘s infamous fashion editorial on the suicides of famous women writers.
All three Brontë sisters – Charlotte, Emily, and Anne – will be the subject of a new “blockbuster biopic,” reports Telegraph & Argus. An announcement about the cast and crew will be made on April 21, 2016 – the 200th anniversary of Charlotte’s birth date – but early speculation indicates that Harry Potter star Rupert Grint may play Branwell.
“We can finally all agree that women want to have sex. But does that mean we experience desire in the same way that men do?” At The Atlantic, Claire Dederer discusses why it can be hard for women to write about sex. Pair with: Our own essay about writing sex scenes in literary fiction.