When we set out to see a film or TV adaptation of Jane Austen’s work, we usually expect a fair amount of bonnets, coy smiles, and men in cravats. For the Atlantic, Helen Lewis looks at more recent Austen adaptations that are turning those expectations on their heads: “These new adaptations make a simple case: Costume dramas are not about wallowing in nostalgia, and Austen was not writing straightforward romances. Sanditon, for example, has an ‘acerbic, screwball tone,’ according to its director, Olly Blackburn—in it, Austen was trying something new. ‘It’s like [Bob] Dylan going electric,’ he told me.”
This graphic account of the uncomfortable on-stage conversation between Roxane Gay and Erica Jong at this year’s Decatur Book Festival comes from MariNaomi over at Electric Literature. Here are a few essays from The Millions that also deal with race, fatherhood, and fiction.