In her new novel, All This Could Be Yours, Jami Attenberg examines a family emerging from the shadow of their power-hungry patriarch. She spoke to Electric Literature about how familial identity passes down—and sometimes doesn’t. “The kids in this book, Alex and Gary, have made a series of conscious choices in their life to physically move as far away from their parents as possible,” she says. “They didn’t want to connect their adulthood to their childhood. Over the course of the book, they’re forced to contemplate their parents—their father is in the hospital, on the verge of death—and I was interested in seeing how these two characters, who have done everything they can to walk away from their family, consider their parents, again, and see if they’re anything like them.”
Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
“But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it ‘stunning,’ Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, ‘the Master’ – high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden.” Ryszard Kapuściński: novelist? Journalist? Or something else entirely?