Notoriously private, J.D. Salinger would not have liked the new exhibit of his family photos, letters, and notes currently on display at the New York Public Library, organized by his son, Matt Salinger. Despite this, the carefully curated collection includes a “phony” publication acceptance letter from Salinger’s mother, a metal bowl Salinger made as a child, and hand-drawn mock-ups of the minimalist book covers that accompany his works. “He sat down in his leather chair in the living room. I remember it was winter time. And he sketched it out. He was focused,” Matt Salinger told The New York Times. “He writes about distrusting the word ‘creativity.’ He always thought it was a space you’re allowed to enter. You’re given things to share by whatever God you think is operative. There’s a release in that, and an ease. It’s not the tortured artist, pounding things out. That was not his affect at all when he was writing. There was joy in it.”
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.