Over at Electric Literature, Sara Borjas, author of Heart Like a Window, Mouth Like a Cliff, reflects on writing about love and identity and building a Latinx community in a candid interview with Leticia Urieta. “As I wrote, and loved, I realized that there was such a power imbalance and imbalance in respect, not just between couples, but between friends and family. In Chicanx families, we value labor. If you are not putting in labor, you are not worthy of respect. I had to look at those relationships and what ideas they were rooted in so that I didn’t perform that way.”
“Without any clear and agreed upon sense for what to be aiming at in a life, people may experience the paralyzing type of indecision depicted by T.S. Eliot in his famously vacillating character Prufrock; or they may feel, like the characters in a Samuel Beckett play, as though they are continuously waiting for something to become clear… or they may feel the kind of “stomach level sadness” that David Foster Wallace described…” Sean D. Kelly navigates past nihilism for the New York Times.
Out this week: Between the World and Me by Ta-Nehisi Coates; Go Set a Watchman by Harper Lee; Armada by Ernest Cline; Among the Wild Mulattos and Other Tales by Tom Williams; Confession of the Lioness by Mia Couto; The Watchmaker of Filigree Street by Natasha Pulley; Let Me Explain You by Annie Liontas; All This Life by Joshua Mohr; A Master Plan for Rescue by Janis Cooke Newman; Imperium by Christian Kracht; and The New World by Andrew Motion. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Last November, the University of Southern California announced that it would stop offering a Masters in Professional Writing, ending a program that counts Richard Yates and Hubert Selby, Jr. among its faculty alumni. At The Nervous Breakdown, Aram Saroyan (son of William) looks back on his time as an instructor.