For the release of her new collection, Orange World, Karen Russell spoke to Brian Gresko at Poets & Writers on supernatural metaphors for motherhood, lonely mutants, and the pleasures of world-building. “With short stories it feels possible to hop across time zones and zip into new skins; also to take risks that I think would prove unsustainable for the length of a novel,” Russell says. “World-building is such a pleasure for me, as a writer and as a reader, and I love story collections because they feel like a miniature universe, with all these interrelated worlds-in-progress.”
The National Book Foundation announced this year’s “5 Under 35” authors. Three cheers for Jennifer duBois (A Partial History of Lost Causes), Stuart Nadler (The Book of Life), Haley Tanner (Vaclav & Lena), Justin Torres (We the Animals), and Claire Vaye Watkins (Battleborn, which we recently reviewed)!
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
Out this week: Delicious Foods by James Hannaham; The Last Flight of Poxl West by Daniel Torday; Hausfrau by Jill Alexander Essbaum; The Other Joseph by Skip Horack; The Poser by Jacob Rubin; The Empire of the Senses by Alexis Landau; and The Dynamite Room by Jason Hewitt. For more on these and other new titles, check out our Great 2015 Book Preview.
“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.
Vol. 1 Brooklyn‘s Tobias Carroll presents a roundup of the best new literature blurring the lines between writing and the visual arts, including works that made cameos in Paul Auster‘s Leviathan and Valeria Luiselli’s The Story of My Teeth. We reviewed the latter novel a year ago here.