Fifty years after the publication of Ursula K. Le Guin‘s classic work of science fiction The Left Hand of Darkness, and less than one after the author’s death, Charlie Jane Anders writes for the Paris Review about how the book served as “a guidebook to a place I desperately wanted to visit but had never known how to reach.” Read about Le Guin’s “ambisexual world” and its warm, provocative, occasionally brutal vision of an alternative society.
The biggest release of the week is, of course, the launch of the first Millions Original, Epic Fail (here’s our excerpt), by our own Mark O’Connell (We may be a bit biased there). Also out, Sam Roberts’s Grand Central, about the iconic train station, and, now available for the first time in a single, massive paperback volume, Haruki Murakami’s 1Q84.
Having grown up in Russia, New Republic senior editor Julia Ioffe is in a uniquely good position to cover the Sochi Olympics, which is why she’s writing regular dispatches from this year’s Winter Games. On Saturday, she published a piece about one of the sadder (yet more predictable) developments of the Games: foreign journalists are bombarding gay residents of Sochi with questions and requests for interviews. (She’s also manning the magazine’s Instagram feed.)
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.