March is Women’s History Month, making it a good time to look back on the authors who have shaped us. For the New York Times, Min Jin Lee recounts the paradigm-shifting experience of reading bell hooks as a sophomore at Yale. “[It] was as if someone had opened the door, the windows, and raised the roof in my mind,” Lee writes. “I am neither white nor black, but through her theories, I was able to understand that my body contained historical multitudes and any analysis without such a measured consideration was limited and deeply flawed.”
All the world is about to become a stage. The Globe Theatre will be performing Hamlet in every country on Earth starting on April 23, 2014, Shakespeare’s 450th birthday. The 205-nation tour should take two years. This is one of many Shakespearean anniversary celebrations including contemporary authors covering his classics.
“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”
“Delight in book collecting, and in showing off one’s book collection, is common, if not universal, among readers and would-be-readers. The biggest reason we spend money on books is because we want to read them (eventually), but that isn’t the only reason: we also like to look at them, and to look at other people looking at them.” Over at The Point, Jake Bittle considers why we collect books as opposed to simply reading them. He also points out, correctly, that books are very, very unpleasant to move, something our own Matt Seidel can confirm.
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.