Yes, Lawrence Ferlinghetti is still alive. And yes, he’s still writing, superbly. On the eve of his 100th birthday—it arrives Sunday, March 24—the poet laureate of San Francisco has produced a delightful little mongrel of a book called Little Boy. It opens by lulling the reader into believing it’s going to be a conventional memoir and then–blammo!–it veers into a scintillating free-form riff on…on…on what, exactly? Youth and philosophy and aging and death? Kerouac and Cervantes and Ginsberg and Henry Miller? Yes and no and I can’t say for sure. Here’s a sample that will give you a taste of this autobiographical novel’s delicious heedlessness:
Jack Kerouac and his merry band and not so merry as all that in fact quite the opposite in their imagined quest for you name it an America that no longer existed even as he embarked to find it with his crazy crew oh and it wasn’t just America they were looking for driven as they were by testosterone and the rage of living personified by one Neal Cassady the driven driver of their beat jalopy…
Maybe the best way to appreciate this bawdy, ebullient book’s nearly punctuation-free river of prose is to dip into it at random. Here’s Ferlinghetti on Henry Miller, another writer who lived a very long life:
AND it’s our last Hurrah and keep your pecker up for if you outlive your pecker where does that leave you like Henry from Brooklyn with the great gift of gab who all his life kept it up and wrote great books with it but then kept writing when his pecker couldn’t write anymore like an old fountain pen run dry oh daddy call me a cab…
Here’s a confession: “I was never much of a rebel back then or now.” And here’s a lament: “Oh the time lost and no other memory of it…”
For all its verbal sparks and wordplay, the book provides solid documentation that Ferlinghetti’s was a rich and eventful life. His father died before he was born. His first language was French. “I thought I was Tom Sawyer catching crayfish in the Bronx River and imagining the Mississippi,” he writes, “I delivered the Woman’s Home Companion at five in the afternoon and the Herald Trib at five in the morning…I saw Lindbergh land…I chopped trees for the Civilian Conservation Corps and sat on them, I landed in Normandy in a row boat that turned over…” He also witnessed the devastation of Nagasaki after the second atomic bomb was dropped, an experience that turned him into a lifelong pacifist.
After surviving the Second World War he made his way to California, where he was reborn as a poet and publisher, translator and social activist, promoter of Beat writers but, he insisted, not one of them. “I was never a Beat poet,” he declared in a documentary. But he was certainly a fellow traveler. He was arrested, and later acquitted, on an obscenity charge for publishing a 75-cent paperback copy of Allen Ginsberg’s monumental Howl.
Ferlinghetti, founder of San Francisco’s revered City Lights bookstore, has written more than 50 volumes of poetry, fiction, art criticism, and translation. His best-known book of poetry, A Coney Island of the Mind, has sold more than a million copies, a staggering number. Along the way, Ferlinghetti has become something much larger than a poet or a writer, a Beat or a Buddhist. He’s our longest-living ambassador of the written word, a relic from a time when a certain type of person treated books as sacred objects rather than as products that could be sold at a profit. I realized this way back in the early 1970s, when I was wandering up and down the coast of California, working odd jobs, traveling in a retrofitted pickup with my dog, trying to write an apprentice novel, living out my own Travels With Charley meets On the Road fantasy. Whenever I passed through San Francisco I went straight to City Lights, where I spent countless hours doing something that went way beyond any definition of browsing. I read entire books, in installments, but rarely spent any money because I was always broke. Yet I never once got a filthy look from a clerk when I exited the store empty-handed. It was that kind of place. Amazing to realize the store was already two decades old and that it’s still in business today, nearly half a century later. Only a true believer could create such a cathedral of the written word. Given the staff’s forbearance, it’s a miracle the place ever turned a profit.
That miracle is the doing of Lawrence Ferlinghetti, and I’ll be forever grateful to him for it. I’m also grateful for his wondrous new book Little Boy, a valediction, a summing up, a rosy exclamation point at the end of a life well lived.
Image credit: Flickr/Christopher Michel.