At what point do Virginia Woolf’s Mrs. Dalloway and the 1990 cinematic classic House Party intersect? Many points, actually, according to this incisive comparison of the two done by Sean Gill for The Offing. If anything, it goes on to prove just how difficult it is to plan a successful party.
The Guardian reports that the British Library has made its archive of world and traditional music available online. And it’s free for everyone. What might you hear? “There are Geordies banging spoons, Tawang lamas blowing conch shell trumpets and Tongan tribesman playing nose flutes. And then there is the Assamese woodworm feasting on a window frame in the dead of night.” You might also check out the British Museum’s free online image database. Here you’ll find thousands of images of paintings, etchings, drawings, and artifacts from every country and era of human history, easily searchable by era, country, artist, or subject. In using the database for dissertation research, I also found copyright permissions relatively easy to acquire.
“This is how he justified what he did even as he knew what kind of parent he’d become, the kind that used to make him gag as recently as two months ago. The ones who blithely assumed their online friends were gluttons for punishment. Here’s my baby lying on his back! And here’s my baby also lying on his back! And how about this one: blurry baby on his back! Good God, the vanity of it all, the epic self-centeredness. He knew all this, and still he uploaded eleven pictures of Brian.” An excerpt of Victor LaValle’s new novel The Changeling. (You could also read our interview with the author from last year.)
Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.
We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard‘s review of McEwan’s Sweet Tooth. And of course there’s Atonement, which comes up in a variety of Millions articles, from Michael David Lukas‘s essay on the polyphonic novel to Seth Sawyer‘s recent piece on food and reading.
“In Rilke’s essay on Auguste Rodin, written in the same year, he describes the sculptor’s visits to the Jardin des Plantes early in the morning to sketch the sleepy animals. And later on, in Rodin’s studio on the Rue de l’Université, he observes a tiny plaster cast of an antique tiger that Rodin treasured: ‘There is a cast of a panther, of Greek workmanship, hardly as big as a hand…. If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.’” Henri Cole on the poet and a place that inspired his work.