Susan Sontag once wrote that the truest way to portray illness was without metaphor. Our own Marie Myung-Ok Lee takes a look at autism in recent literature and the ways its writers (ranging from Don DeLillo, Jonathan Lethem, and Louise Erdrich) have often reduced those with autism to a literary construct.
Autism as a Literary Device
Ishiguro Interviewed
“Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political.” Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.
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With One Eye Squinted
“I can with one eye squinted take it all as a blessing.” The New Yorker reports on “Flannery O’Connor‘s Manhattan Memorial” and pitch-perfect quotation.
Where Can We Get a Copy
Did you know there was such a thing as the Prime Minister’s Literary Awards? It’s true. Since 2007, Australia has named winners annually in six categories (fiction, non-fiction, poetry, children’s fiction, young adult fiction, and Australian history) – and the prize money’s pretty good, too. Speaking of prizes, you might also want to check out the list of U.S. National Book Awards finalists here.
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Partying with Houellebecq
Nelly Kaprielian parties with Michel Houellebecq after he wins the Goncourt: “‘After France, the world!’ jokes Beigbeder, and everybody’s quick to raise a glass.”
The Year of the Essay
“Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.” Electric Literature‘s Jason Diamond argues 2014 was “The Year of the Essay,” and when we think over the collections published this year – The Empathy Exams, The Unspeakable and Loitering, among others – it’s hard to disagree.
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Dear Alice
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
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