Out this week: Friday Black by Nana Kwame Adjei-Brenyah; Listen to the Marriage by John Jay Osborn; A Cloud in the Shape of a Girl by Jean Thompson; Mad, Bad, Dangerous to Know by Colm Tóibín; and Little by Edward Carey. For more on these and other new titles, go read our most recent book preview.
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
This little bit of found poetry courtesy of the Beaufort Wind Scale and Mallory Ortberg over at The Toast will have you reading your weather reports with a fresh set of eyes. If meteorology is your thing, here’s a link to the ten best weather events in all of fiction.
In most portrayals of Cold War espionage, both Communist and capitalist spies appear wedded to their respective ideologies. Yet real spies, as the FBI knows, often have more nebulous motivations. In the Times Book Review, Ben MacIntyre reads the latest by Ha Jin, which centers on a Chinese spy embedded in suburban Virginia.
Zadie Smith in conversation with Édouard Louis for the Document Journal. “Listening to the novelists Édouard Louis and Zadie Smith in conversation inspires a kind of hushed glee, a bliss familiar to eavesdroppers who encounter sublime discourse. ” How can you resist?