Out this week: Friday Black by Nana Kwame Adjei-Brenyah; Listen to the Marriage by John Jay Osborn; A Cloud in the Shape of a Girl by Jean Thompson; Mad, Bad, Dangerous to Know by Colm Tóibín; and Little by Edward Carey. For more on these and other new titles, go read our most recent book preview.
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
It’s time again for spring cleaning, as well as the more enjoyable spring reading. Scott Esposito at Conversational Reading is gearing up for Your Face This Spring, which will read the entire 1200 pages of Javier Marías‘s Your Face Tomorrow trilogy. And Big Other is orchestrating a group read of Flann O’Brien‘s At Swim-Two-Birds. After you finish a closet, open a book–both start next week.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.