This month Oxford American published “Everything Went Wild,” Sarah Viren’s essay on her quest “to figure out what Florida literature is.” In her reporting, Viren reached out to our editor Nick Moran because she’d noticed his ongoing Florida literature project here at The Millions, punctuated most recently by his essay this week on Lauren Groff, Christine Schutt, parenthood, the environment, and whether Florida threatens or is threatening.
The new film by master indie director John Sayles, Amigo, will premiere in New York on August 10th as the opening night presentation of the Asian American International Film Festival. Tickets just went on sale here; Sayles will be appearing in-person for a Q&A. “Amigo” is Sayles’s 17th feature film and a kind of historical companion piece to his recently released epic novel, A Moment in the Sun, published by McSweeney’s.
Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.
New this week: Pushkin Hills by Sergei Dovlatov; The Divorce Papers by Susan Rieger; Hyde by Daniel Levine; Cambridge by Girl, Interrupted author Susanna Kaysen; Decoded by Mai Jia; Visible City by Tova Mirvis; The Moon Before Morning by W.S. Merwin; and Caribou by Charles Wright.