Poetry readership among U.S. adults is the highest it’s been in 15 years—with young adult readership (among 18-24 year olds) nearly doubling—according to the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). (For what it’s worth: The Millions has always loved poetry).
“The short story, as a form, has plenty of defenders,” the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because “despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end.”
Water coolers across the nation were abuzz this week with news of the James Cameron-backed and billionaire-led initiative to begin mining resources from the asteroid belt. It’s the stuff of science fiction, and it may seem hard to believe, but the company’s actually already begun hiring prospective space miners!
The National Book Foundation announced this year’s “5 Under 35” authors. Three cheers for Jennifer duBois (A Partial History of Lost Causes), Stuart Nadler (The Book of Life), Haley Tanner (Vaclav & Lena), Justin Torres (We the Animals), and Claire Vaye Watkins (Battleborn, which we recently reviewed)!
When University of Iowa Special Collections librarian Colleen Theisen found hidden fore-edge paintings on a 19th century scientific book Autumn, she made a gif of it, of course. Then, she realized there were more secret paintings for each season and more gifs followed. Who said old books weren’t interactive?
TNR‘s Ruth Franklin test-drives a new online dating service that “purports to match people based on their taste in literature.” Spoiler alert: Sebald lovers appear to be out of luck.
According to this week’s New York Magazine Approval Matrix, our own Kevin Hartnett’s article from two weeks ago is a highbrow yet despicable piece of writing. What makes it so despicable, you ask? Apparently they blame Professor Tom Ferraro’s adulatory passage on the The Godfather.