Poetry readership among U.S. adults is the highest it’s been in 15 years—with young adult readership (among 18-24 year olds) nearly doubling—according to the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). (For what it’s worth: The Millions has always loved poetry).
The United States of Poetry
Faulty Education
Recommended Reading: The Harvard Gazette on education and inequality. “If inequality starts anywhere, many scholars agree, it’s with faulty education.” Our own Nick Ripatrazone writes about closing the gap between high school and higher education.
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Telling a beautiful lie
Chris Jones’s latest feature for Esquire wraps a copyright infringement case up in a meditation on the power of magic, the will to believe and the essence of the delight we can find in art. Warning: may lead you down an endless Penn & Teller YouTube rabbit hole.
Growing Up
It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn’t the answer to our problems?
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On Social Novels
“What if, instead of simply critiquing Go Set a Watchman’s failure, we tried to analyze it? The new, older work makes more sense if we read it as an attempt to accomplish two tasks: first, to master—unsuccessfully, it turns out—the smart-magazine style that Harper Lee developed in her student journalism; and second, to write in a genre that often relied on the ironic elisions typical of ‘smart style’: the midcentury social-problem novel.” Tom Perrin on Harper Lee and the social novel. Pair with Michael Bourne’s Millions review.
“To do so, I felt, would be too dangerous”
Over at Electric Literature, Tara Isabella Burton likens the experience of reading her ex’s favorite book – in this case Stefan Zweig’s Beware of Pity – to “rifling through someone’s letters after a death.”
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Didion: Cool and Manly?
The Atlantic reviews the first full-length biography of Joan Didion, The Last Love Song by Tracy Daugherty, to be released August 25th. The biography “looks at the author’s legacy of cool.” Related: Franklin Strong’s essay on “The Manliness of Joan Didion” in The Millions.
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