Well, this is awkward. When the National Book Foundation announced its nominees last week for the Young People’s Literature category of the National Book Awards, they accidentally picked a book called Shine by Lauren Myracle when they really meant to pick Franny Billingsley’s Chime.
Who’s the official Zombie Apocalypse Preparedness Officer at your place of work? You mean you don’t have one? Well, get on that promptly. The Center for Disease Control advises that “If you are generally well equipped to deal with a zombie apocalypse you will be prepared for a hurricane, pandemic, earthquake, or terrorist attack,” so you might as well kill five birds with one stone.
The Book Was Better is a podcast that “debates, discusses, and rips into the (often) hastily written and terrible book-of-the-film” adaptations for movies like Wild, Wild West, Hackers, The Net, and (try not to be upset by this one…) Jumanji. (Those episodes can be found here, here, here, and here, respectively.)
When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
The Guardian‘s Books Blog is hosting a tournament to determine “The Great American Novelist,” and the list of the final 32 seeded contenders, as voted by the site’s readers, is enough to raise some eyebrows—not as much for who did make the cut as for who didn’t. Guardian readers, haven’t you heard of Richard Yates?