“In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering”….you’ll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It’s full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as “Alex said he ‘wanted to plant that flag in the culture,’ and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave”. Chee’s newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.
Out this week: Fates and Furies by Lauren Groff; The Blue Guitar by John Banville; Undermajordomo Minor by Patrick DeWitt; Sweet Caress by William Boyd; The Double Life of Liliane by Lily Tuck; The Marvels by Brian Selznick; Scrapper by Matt Bell; and The Story of My Teeth by Valeria Luiselli. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.