“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.
Black on all Sides
The Queens of Repulsive Realism
A new wave of "Repulsive Realism" features characters who manufacture and revel in their own mire and rebel against packaged femininity.
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Indie Bound
Naysayers, consider this: in the digital era, the brick-and-mortar bookstore might be experiencing a resurgence.
Color in Poetry
Recommended reading: “What is Color in Poetry” by Dorothea Lasky for Poetry. It’s a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky’s childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you’ve got a theme for the day.
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”
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Fully Secure
Recommended Viewing: Atlas Obscura’s gallery of libraries in which books are chained to the shelves. (h/t The Hairpin)
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Adapted for Screen
Writing History
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
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