Out this week: How to Write an Autobiographical Novel by Alexander Chee; Disoriental by Négar Djavadi; Every Other Weekend by Zulema Renee Summerfield; Brown by Kevin Young; and The Only Story by Julian Barnes.
“I became completely obsessed.” At the 92nd Street Y, Rebecca Skloot shares the story behind her bestseller, The Immortal Life of Henrietta Lacks, joined by members of the Lacks family and actress Rose Byrne, who plays Skloot in the forthcoming film adaptation of her book. Skloot also discusses how the subject of the book is intimately linked to her own father’s health crisis, which Amy Halloran wrote about in our own pages a few years back.
W.W. Norton puts together a project similar to our Year in Reading (and with some participants in common): Writers Recommend.Another clever batch of recommendations: Village Voice asks several notables to recommend their favorite “obscure” books.Three Percent reveals its 25-book longlist for the “Best Translated Book of 2008” (Bonus Link: The Prizewinners: International Edition)A conversation with South African poet and anti-apartheid activist Breyten BreytenbachTodd Zuniga’s (of Opium Magazine and Literary Death Match) “favorite writers we haven’t heard of yet.”Best book cover designs of the year. (via 3% and kottke)Maud reproduces the memo behind the huge reorganization at Random House (which itself is just one part of the belt tightening hitting the publishing industry in recent weeks.)
Out this week: Made for Love by Alissa Nutting; The Reason You’re Alive by Matthew Quick; The Graybar Hotel by Curtis Dawkins; The Tower of the Antilles by Achy Obejas; Out in the Open by Jesús Carrasco; and Who Is Rich? by Matthew Klam. For more on these and other new titles, go read our most recent book preview.
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.