“They might underline a page number, draw a little star on the last page, or write their first initial somewhere in the book.” A librarian in Scotland discovered a secret code used by elderly patrons to track which books they already read. From our archives: an essay on the importance of libraries and how they can stay relevant.
The Secret Life of Books
Direct Feed
“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
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A writer by any other name…
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.
Guinea Pig, Actual Pig
Recommended Reading: Maria Russo’s Times review of the new Dr. Seuss book. (If you haven’t yet, go check out Michiko Kakutani’s companion review-in-verse.
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No award given
Former Pulitzer Prize juror Laura Miller gives a little insight into how the award works, and posits some possible reasons that the fiction award may have been withheld.
Pen Pals Jack Kerouac and Allen Ginsberg
Janet Maslin at the New York Times reviews the collection Jack Kerouac and Allen Ginsberg: The Letters: “‘Hasn’t it been awful?’ Kerouac would write to Ginsberg in 1959. ‘We were so swingy? And now young poets are sneering at us?’”
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