“Blume turned 80 earlier this year, and throughout the last 50 years, her tender stories have carved out their own place in feminist history by translating the empowering messages of second-wave feminism to girls often considered too young to understand them.” Marisa Crawford ponders Judy Blume‘s long lasting influence on young girls and their understanding of feminism. Pair with this essay on a day in the life Judy Blume, bookseller.
Judy Blume’s Feminist Influence
Tuesday New Release Day: Beattie; Weiner; Phillips; Clayton; Hassib; Sie; Choi
New this week: The State We’re In by Ann Beattie; Who Do You Love by Jennifer Weiner; The Beautiful Bureaucrat by Helen Phillips; The Race for Paris by Meg Waite Clayton; In The Language of Miracles by Najia Hassib; Still Life Las Vegas by James Sie; and Subway Stations of the Cross by Ins Choi. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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The Peculiar Art of Rare Books Catalogues
“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
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Rereading
“I’ve come to understand that I’ll rarely experience that first rush of discovery again, and perhaps that’s the problem with re-reading. It reminds us both of where we’ve been and where we can’t go again.” Sarah Seltzer wonders why do we reread books as children but not as adults? Pair with Lisa Levy‘s essay on “The Pleasures and Perils of Rereading.”
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Thomas Pynchon: The Video Game
“Inherent Vice . . . is like a novelization of Grand Theft Auto, claims Nerd World. And hey, they’ve got ten points of comparison to back it up, so you know it must be true. (via)
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Laura Amy Schlitz Interview
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
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