“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).
“Writing is the lonely sport of sad sacks.” The Rumpus interviews Lauren Groff, who’s a bit of a Millions favorite. Here’s her Millions interview and here’s Arcadia as Janet Potter’s Staff Pick this past April. Also, here’s a #LitBeat of a Literary Death Match she competed in earlier this year, in LA.
Barry Ritholtz, the godfather of financial blogging (and not your typical Occupy Wall Street protester) calls the U.S. a “corporate monarchy” and wonders “Why have the Europeans figured out they are getting screwed, and we haven’t?“
Audio for over 10,000 events – including concerts, poetry readings, and public interviews – is being made available on the 92nd Street Y’s new digital archive. Among the treasures in the trove are readings by Tennessee Williams, Vladimir Nabokov, and Susan Sontag. (Thanks Andrew.)