Read this interview with Mary H.K. Choi where she discusses her novel, Emergency Contact, and how it offers a more modern (2010s) portrayal of Asian American mother-daughter relationships. “Choi’s novel blows up Asian female stereotypes and prods readers to question their own cultural biases about women of color. For instance: Not all Asian moms are like Lane Kim’s in “Gilmore Girls.” Not all of them own antique shops or dry cleaners, care singularly about grades and won’t let their baby tiger cubs date until they’ve finished graduate school.”
In a time of crisis, any decision is better than no decision at all. That line–credited to Theodore Roosevelt–is pop conventional wisdom. An excellent piece at Aeon explores the full implications of the line, and may just convince you that your next impossible choice should be made by a soothsayer, a lottery, or a flipped coin.
Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)
“No one took this further, with more imagination and daring…At a time when American groups would often dress down—affluent suburban kids disguised as Appalachian farmers or Canadian lumberjacks – Bowie quite deliberately dressed up.” David Bowie’s sartorial legacy.
Move over, “GIF.” (Or, more accurately: animate yourself away from us in an unending loop.) There’s a new Oxford Dictionaries word of the year. Enter, “selfie,” a word of Australian origin that describes an ostensibly new “digital affair, [that’s actually] a novel iteration of an old form: the self-portrait.” (They even come with overarching themes of mortality.)