After 16 fierce book brackets, The Morning News’ Tournament of Books championship round pitted Samanta Schweblin‘s Fever Dream against George Saunders‘ Lincoln in the Bardo. Did your pick win? Click here to find out.
The true story of the Whaleship Essex – which was deftly recounted in Nathaniel Philbrick’s 2000 book In the Heart of the Sea – will soon be adapted into a 90-minute documentary for the BBC. As avid whale watchers already know, the plight of the Essex is what ultimately inspired Herman Melville to write Moby-Dick. You can get an overview of the disaster at Melville House’s blog, Moby Lives. (How appropriate!)
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
“If you want to be grateful for something today, be grateful for that: Ebola doesn’t fly,” according to a 2012 NYT op-ed. (Ok, so that’s not true, but you’re still probably safe.) If you (like me) have been obsessively re-watching that infected American patient walk into his hospital in Atlanta, I’d like to suggest you (I) first relax, and then indulge your (my) Ebolapocalypse fears elsewhere, e.g., a roundup of the 14 best pandemic novels according to Slate, 11 from io9, 22 from Bookshop, or all 1,000+ at Goodreads.