After 16 fierce book brackets, The Morning News’ Tournament of Books championship round pitted Samanta Schweblin‘s Fever Dream against George Saunders‘ Lincoln in the Bardo. Did your pick win? Click here to find out.
Where does the “panic attack when you think you’re not reading enough” fit in to all of this? Here are a few professional readers on how they keep from mixing business with pleasure. This essay on Lewis Lapham and reading just for pleasure might also tickle your fancy.
Do you want to work at The Strand in New York City? Think you have what it takes? Take this famous quiz and match each work with its author to see if you have the literary chops to pick up a paycheck from one of the United States’s most beloved bookstores.
“In Go Home! — a collection that feels particularly timely in the midst of attacks on immigrant families and communities — Asian diasporic writers are both thoughtful and generous in their reflections about who they are, where they have been, and where they belong.” For Shondaland, Nicole Chung interviewed Rowan Hisayo Buchanan, the anthology’s editor, and a few contributors (including Alexander Chee, Karissa Chen, T Kira Madden, and Esmé Weijun Wang) about what home means to them. Pair with: our review of Chee’s The Queen of the Night and Wang’s 2016 Year in Reading entry.
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.
“Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much.” Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.