“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.
Tricks of the Trade
Mad Money
Modern day celebrities aren’t the only victims of Photoshop. Paula Byrne, a Jane Austen biographer, believes that Austen has been “airbrushed” on her £10 Bank of England note. The portrait makes her look like “a pretty doll with big doe eyes” and diminishes her reputation as an author, Byrne argues.
●
●
The Great Gadsby
“The entire manuscript was written with the E-type bar of the typewriter tied down; thus making it impossible for that letter to be printed. This was done so that none of that vowel might slip in, accidentally; and many did try to do so!” Abe Books tells the tale of Gadsby, a self-published 50,000-word novel written without using the letter “e.” Its author, Ernest Vincent Wright, won some notoriety when he accomplished the feat – called a lipogram – in 1939, although it’s unlikely Wright could have foreseen that individual copies of his book would eventually fetch prices upward of $1,200. And if it’s literary hijinks you’re after, definitely read our own Anne Yoder on the work of Georges Perec, who wrote a lipogram of his own in 1969.
●
●
Jack White Gets Interviewed By Buzz Aldrin
Jack White is so impossibly cool that, when he asked Buzz Aldrin to be his interviewer in the latest issue of Interview magazine… the former astronaut obliged.
●
●
“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
●
●
Burroughs’ Selected Letters
Recommended Reading: The selected letters of William S. Burroughs at The Paris Review Daily. Read his correspondences with family and writers Allen Ginsberg and Norman Mailer. Pair with Jonathan Clarke’s article on why an author’s biography will never be more important than their writing.
“Our job is to analyse data, not to love words.”
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
●
●