“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.
Tricks of the Trade
The Discreet Charm of the Bourgeoisie
"‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience...Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke."
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A Library Without Walls
Robert Darnton at the New York Review of Books considers the feasibility of creating a National Digital Library: “I know: the devil can cite Jefferson. Anyone can cull through the papers of the Founding Fathers in order to find quotations in support of a cause. But I can’t resist.”
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So Much Drool
Sorry for the mess but we're still drooling over these photos of A Brief History of Seven Killings author Marlon James's Minneapolis loft. Slightly less glamorous but (we think) of equal literary importance, these pictures of our own writing spaces.
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Misunderstood Langages
Recommended Listening: Over at PBS News Hour, Joan Naviyuk Kane talks about crafting poems based on a single word in Inupiaq, one of the languages spoken by the Native Alaskan people.
My Many Selves
Recommended Reading: This incredible profile of Maggie Nelson by Hilton Als for The New Yorker. Nelson's The Red Parts saw a paperback reissue earlier this month.
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Brow Raised
Not highbrow, not lowbrow, not even middlebrow - is American culture now dominated by the upper middle brow?
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Ugh, “The Great American Novel”
A short history of The Great American Novel.
Spiegel & Grau turns to indies for help
Shaken by scathing reviews from The New York Times and The Washington Post, Yann Martel's publisher turns to independent bookstores for help.
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