“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).
“On the way home, the girl did not notice the color of the sky or the shape of the night, as she was too busy questioning why there were no secrets anymore.” As part of its Recommended Reading series, Electric Literature offers a special seven-part serial by Joe Meno. “Star Witness” tells the story of a young woman in a small southern town who spends the night searching for a missing local girl, and we can’t wait to read the next six installments. Pair with our own Edan Lepucki‘s profile of Meno from a few years back: “[he] seems more than willing to try new things in his work, to stretch his expectations of what he can do as a writer, and what a book can be.”