Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.
The Golden Age of Hip Hop Writing
Jon Cotner’s Floating World
As part of the River to River Festival, poet Jon Cotner has put together a “floating world,” or a map of Japanese poet Matsuo Bashō’s work transposed onto Rockefeller Park. Each hour, Cotner will lead a tour through the world. This isn’t the first time Cotner’s done something cool like this, either. Check out our dispatch from his “Poem Forest” last year.
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An Unusual Inheritance
“They were still dressed for the funeral when their inheritance showed up.” Granta magazine has a new short story by Amelia Gray, whose literary rise we considered back in 2012.
RIP Jim Harrison
Jim Harrison, outdoorsman and author of Legends of the Fall, has passed away at 78. Harrison was a prolific writer whose lust for life was evident in the scores of essay and poetry collections he published during the course of his career. Our own Bill Morris has some thoughts on why Harrison never managed to garner the audience that a writer of his caliber deserved.
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Money Problems
Recommended Reading: Does commercial literature hurt literary fiction?
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Egan On E-Readers
Jonathan Franzen isn’t the only writer opposing technology and digitization. Jennifer Egan, in a panel discussion last week, compared Facebook to a “huge Soviet apartment block.”
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Code-Switching Patchworks
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
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