“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
A Critic Turned Novelist
Weather Advisory
“These are not stories about the weather, these are stories about life and death.” Over at Ploughshares, E.V. De Cleyre considers the weather in contemporary literature.
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It’s all about the characters
In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”
Old World Values
Henry James wrote a number of odd things about Jewish and Italian immigrants, but is it fair to call him a racist? In The New Criterion, Stephen Miller argues that it isn’t, recalling the time James spent with immigrants on the Lower East Side.
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The Social Function of the Novel
Recommended reading: Tim Parks asks “what is the social function of the novel?“
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