“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
A Critic Turned Novelist
Tuesday New Releases
David Remnick's biography of President Obama, The Bridge is out. (The Times explained how Remnick finds time to run the New Yorker and write a 700-page biography of a sitting president.) Also new: Another chronicle of the collapse, The End of Wall Street by talented financial journalist Roger Lowenstein; Nobel laureate Jose Saramago's "blog book" The Notebook; another in the posthumously published oeuvre of Irène Némirovsky, Dimanche and Other Stories; the latest from A.L. Kennedy, What Becomes; and Tom Rachman's touted debut The Imperfectionists.
Pre-Revolutionary Russia… In Living Color
Tsar Nicholas II commissioned Sergei Mikhailovich Prokudin-Gorsky to document pre-revolutionary Russia. His color photographs taken between 1904 and 1916 are incredible.
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Stories With Grit
Open Road Media is highlighting a collection of “Stories With Grit,” which is composed of stories that “grab you by the collar, knock you around a bit.” They’ve shared excerpts from some of their favorites, but which ones would you recommend?
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The Rebellious English Major
In last week’s Brandeis commencement speech, Leon Wieseltier argued that never has there been a moment in American life when the humanities were respected less but needed more. “In recent years I have come to regard a commitment to the humanities as nothing less than an act of intellectual defiance, of cultural dissidence,” he said.
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