Edmond Caldwell, a longtime Millions commenter and member of the golden age of lit blogging, has passed away. Caldwell was the founder of The Chagall Position and Contra James Wood. Read a tribute to Caldwell by his friends Boyd Nielson and Joseph G. Ramsey at Dispatches, here.
A Worthy Send-Off
Fighting Words
Mark McGurl author of the book that got everyone talking about MFA programs, The Program Era, mounts a spirited defense against Elif Batuman’s much discussed review of the book. Among his ripostes: “One can be all for the deflation of liberal pieties without being a gleeful ignoramus about it, as though literary journalism needs its own Ann Coulter.” Zing!
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Did You Say Paid?
“It is intended to attract candidates who otherwise would not have access to publishing, and to therefore increase the diversity and inclusivity of the industry.” Indie publisher Graywolf Press is offering a paid, 10-month internship “designed to support a person who is interested in learning more about the publishing industry through an introductory, hands-on experience.”
Transgressive, Interesting, Weird
This summer, Emily Books will launch a new imprint with Coffee House Press, featuring books “by women and gay men and gender outsiders—or people who had transgressive, interesting, weird personalities.” Also check out this Millions essay on what we call what women write.
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“Made Twilight look like War and Peace”
Herewith, an amazing takedown of Fifty Shades of Grey, spoken by none other than a horrified Salman Rushdie. If a quote like this isn’t a good reason to go to The New Yorker Festival, we don’t know what is.
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Moco Loco
On the new food-writing website Toque, Elina Shatkin takes chefs Jon Shook and Vinny Dotolo (owners of Animal, the wonderful L.A. restaurant exalting all things meaty) to try moco loco.
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tl;dr
It’s the last day to vote on panels at SXSW interactive 2013. So if you wanna hear how our editor in chief, C. Max Magee, and our friends Andrew Womack, from The Morning News, and Kevin Nguyen, from The Bygone Bureau, have changed the game with independent long form digital publishing, you better cast your vote today.
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Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”
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Olga Tokarczuk on the Coherent Cosmos of Leonora Carrington
Olga Tokarczuk reflects on the "wild metaphysics" of Leonora Carrington’s 1974 surrealist novel, The Hearing Trumpet.
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Carolyn:
Thanks for mentioning EC (and Boyd and Joe’s worthy tribute)! This is just to point out that, far more than being a blogger, EC was a dedicated and deeply-educated writer who had lots of short stories out there, as well as having had a well-reviewed novel, Human Wishes/ Enemy Combatant, print-published in 2012. To quote Jacob Bacharach, at HuffPo (from a piece called “All Good Books are Weird Books”):
“And then there’s my recent favorite, a small-press novel called Human Wishes / Enemy Combatant by Edmond Caldwell, which manages to combine the surreal landscapes of airport hotels with a living Matryoshka doll with a wrenching account of the massacre of Lydda in the 1948 Palestine War with a rambunctious conspiracy to abduct and replace James Wood—yes, that James Wood—with a subversive double.”
Edmond had another novel to his credit, as well, unpublished, that I hear was also quite wonderful. Here’s to hoping that both books find a new life in the coming years. Once in a blue moon quality does (or should), briefly, rise to the top…