“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.
Those who watch the book deal emails from Publishers Lunch know that Chad Harbach, an editor at n+1, recently sold his first novel, The Art of Fielding, but a Bloomberg article today reveals it went for an eye-popping $650,000. The book centers around baseball at a fictional Wisconsin college, and Bloomberg pegs the deal as “one of the highest prices for a man’s first novel on a topic appealing to a male audience.” Possible buried lede: n+1 compatriots Benjamin Kunkel and Keith Gessen saw their first novels sell 48,000 and 7,000 copies respectively, according to Neilsen BookScan.
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”