“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.
Mark Dimunation was on the committee that selected the 88 books for the Library of Congress’s current “Books That Shaped America” exhibit. Recently he did an interview with NPR‘s Lynn Neary in which he explained how he arrived at his decisions to include such works as Goodnight Moon, The Joy Of Cooking, and Uncle Tom’s Cabin.
Hypocrisy is a funny thing. In theory, we all dislike it, seeing an ability to live by one’s own morals as a virtue in itself, but the fact that everybody breaks their own rules from time to time means that our aversion to hypocrisy is a little bit… hypocritical. On the Harper’s blog, Clancy Martin dissects the meaning of the fact that “we’re all hypocrites.”
“I worry that people in the city where the novel is based will take issue, all kinds of issue, with it. I worry that readers will be like who cares.” Here are all the things you should be worried about while working on a novel, helpfully brought to light by Susannah Felts at The Literary Hub.