Lisa Eve Cheby argues that one of the best ways to beat ‘fake news’ claims (which is really media illiteracy) is to fund more libraries. Read the rest of her argument in Entropy. I’m certainly convinced.
As they begin preparation work on “Vacancies,” a special double-issue of their magazine, the folks at Heavy Feather Review have issued a call for writing that explores “the dimly lit corners of the unoccupied, unassuming, or idle.” For inspiration, look toward Philip Levine’s poem, “An Abandoned Factory, Detroit.”
East of the West author Miroslav Penkov is sitting pretty these days. The Bulgarian fiction writer recently nabbed the BBC International Short Story Award for his collection’s titular story, “East of the West.” With a purse of £15,000, this is the world’s biggest prize for short stories, though typically it considers work by British authors only. However this year, due to the 2012 Olympics, the field was expanded to include international writers. All five judges unanimously picked Penkov’s work over the nine other submissions. You can read an excerpt online courtesy of Google Books, and you can get a little more acquainted with Penkov’s themes on Picador’s Tumblr.
“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.