Not familiar with Zora Neale Hurston or just need to brush up in preparation for her birthday? Liz Dwyer has got you covered. “Through the #MeToo movement we’ve read the stories of how calling out sexual harassment and the patriarchy has ruined women’s careers. Similarly, Hurston was shunned and derided by many of her male compatriots in the Harlem Renaissance for creating one of the first strong, black, and sexually aware female protagonists of 20th century American fiction.” Hooked yet? After you finish, read this essay by our own Jeffrey Colvin on visiting Zora’s birthplace and his sister.
New this week: 300,000,000 by Blake Butler; Quick Kills by Lynn Lurie; A Different Bed Every Time by Jac Jemc; Sister Golden Hair by Darcey Steinke; J by Howard Jacobson; Electric City by Elizabeth Rosner; The Goddess of Small Victories by Yannick Grannec; The Letters of Samuel Beckett; Volume 3; and Blue Horses by Mary Oliver. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
As we noted here recently about the rise and fall of Motown, the real issue was money -- who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label's first hit in 1959, "Money (That's What I Want)," tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong's story is the story of Motown boiled down to its bitter, ironic essence.
Remember the Muppet movie when Kermit has an existential crisis about time? Yeah, we never saw that one either. But a new biography of Jim Henson, Jim Henson: The Biography by Brian Jay Jones, discusses Henson's early experimental filmmaking (sans puppets) and plans to open a psychedelic nightclub in the 1960s. You can watch the aforementioned trippy short film "Time Piece."