“By the time Mr. Bass bought the building for $8.2 million in 1997, the Strand had become the largest used-book store in the world.” Fred Bass, the owner of the Strand, has died at the age of 89. Bass — who bought used books with panicked fervor, opened up satellite kiosks, and created the fabled literary quiz for prospective employees — turned his father’s used bookstores into a New York City literary landmark.
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
It’s been nearly three years since an unknown man last marked Edgar Allan Poe’s birthday by leaving three roses and cognac at Poe’s grave. Today is Poe’s birthday and “Poe fans are planning one last vigil this week before calling an end” to the decades-long tradition of watching the mystery mourner pay his respects. (via)
“The Books of Magic makes The Lord of the Rings, The Avengers, Harry Potter, and even Twilight all look like entries in the same broad genre of tween-superhero fantasy, in which someone insignificant gets mighty powers, fights the forces of evil, and ultimately triumphs. …The pop culture landscape starts to look like an endless row of Tim Hunters, the same successful formula applied again and again.” From The Atlantic, a look at how Neil Gaiman‘s The Books of Magic prefigured the runaway success of Harry Potter and the modern YA fantasy-adventure craze.
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.