“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Thanks to the work of archivists at The Harry Ransom Center at the University of Texas, two scholars have unearthed a 1901 play by Edith Wharton called “The Shadow of a Doubt,” reports The Guardian. “After all this time, nobody thought there were long, full scale, completed, original, professional works by Wharton still out there that we didn’t know about. But evidently there are. In 2017, Edith Wharton continues to surprise.” Pair with this reflection on the role of New York City in Wharton’s novels.
I’ve got another post up about Nadeem Aslam’s Maps for Lost Lovers at the LBC Blog. I’ve been going back and forth with Sam (of Golden Rule Jones), so check out his posts, too.Calvin Trillin talks turducken and other things Cajun in the most recent issue of National Geographic. The piece is typical Trillin, funny and featuring mouth-watering descriptions of various regional delicacies. (Much like the articles collected in a favorite book of mine, Trillin’s Feeding a Yen)Jim Crace discusses his Guardian column, The Digested Read, “The idea of rewriting a book in the style of the author in just 500 or so words is a gift to any satirist, and it remains the only outlet in the print media where publishers’ hype always gets treated with the irreverence it deserves.” A collection of the columns is out in EnglandThe CS Monitor takes a look at the self-publishing craze: “IUniverse, which prints several thousand books annually, reports submissions are up 17 percent in the first six months of this year.”A couple of new McSweeney’s offerings that you may or may not have seen already. Noisy Outlaws, Unfriendly Blobs, and Some Other Things… is anthology for young adults, edited by Lemony Snicket and with stories by Nick Hornby, John Scieszka and Neil Gaiman, among others. Meanwhile Issue #17 of their Quarterly Concern is also out. According to Amazon: “Issue 17 is not an ordinary issue of McSweeney’s. It is, however, an ordinary bundle of mail, stacked and rubber-banded, containing the usual items: a recent issue of Yeti Researcher, a sausage-basket catalog, a flyer for slashed prices on multi-user garments, a couple letters… the usual. Also: the debut of a DVD quarterly, featuring never-before-seen work by Spike Jonze and David O. Russell. Also: stories.”