“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer’s Stone, The Huffington Post asks authors, editors, and publishers how Rowling’s juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.
Sam Lipsyte’s new collection The Fun Parts is out this week. Also out are Red Doc> by Anne Carson, Mary Coin by Marisa Silver, How to Get Filthy Rich in Rising Asia by Mohsin Hamid, Jacob’s Folly by Rebecca Miller, The Accursed by Joyce Carol Oates, and The End of the Point by Elizabeth Graver.
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.