Year in Reading alum Jacqueline Woodson has been named the 2018-2019 National Ambassador for Young People’s Literature. Gene Luen Yang was the previous ambassador. The program is sponsored by the Library of Congress and the official ceremony is January 9th. Congratulations Jacqueline!
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
New this week: The Angel of History by Rabih Alameddine; The Mortifications by Derek Palacio; Today Will Be Different by Maria Semple; The Explosion Chronicles by Yan Lianke; The Trespasser by Tana French; The Wangs vs. the World by Jade Chang; and Nicotine by Nell Zink. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”