Yesterday marked eight years since a devastating earthquake struck Haiti and a few days ago Trump put the country back in the news (but not in an reflective or uplifting way). Looking to learn more about Haiti sans racist rhetoric? The New York Times has “three books by Haitian writers that provide insight into the country’s history of struggle and resistance.” Find the list here.
A basketball player gets kicked in the testicles and hundreds of news outets have to figure out how the heck to write about it: “Different outlets have different comfort levels when writing about the crotch. The New York Times, for example, threw idiomatic English out the door on first reference: ‘Exhibit A was that [Draymond] Green picked up a flagrant-1 foul — while hacked in the act of shooting — with 5 minutes 57 seconds left in the half by flailing a leg between those of Steven Adams, who wound up doubled over.'”
“Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. … America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway.” Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week’s New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.